Dazwischen is presented as a “sonic scultpure performance” distributed in the time in which the sound appears from its sculptural and spatial dimension, without establishing a fixed listening point for the audience. Dazwischen will take place at different times during the days of the festival, appearing for the first time in the form of the festival’s inaugural concert.
The work of Lucrecia Dalt proposes an intertwining between theoretical-scientific research and the dream experience to give rise to a sound ecosystem in which its speculative nature also participates in listening. In this, the voice acquires a great prominence, both for its aesthetic participation within a mutant and multi-dimensional organism, as well as for its discursive condition, proper to the omniscient narration of science fiction.
Geotechnical engineer by profession, the Colombian Lucrecia Dalt currently resides in Berlin. In his sonorous production, the exploration of limits and edges is very present, resulting in his last and sixth album: Anticlines. In this he pays special attention and care to rhythm, breathing or texture, modifying micro-tonally the distance between speech and music while integrating rhythmic structures that convert the form into content within his compositions. Vocal processing, spoken word, singing and environmental music allow to create a process of concatenation in which one memory replaces another. They are joined by an investigation of space through sound in which physicality is as important in the present as the possibility of various geological and historical invocations.